Nigel Kent’s excellent review of Phil Vernon’s wonderful collection ‘Poetry After Auschwitz’, which I also recommend
I remember reading Phil Vernon’s micro-collection, entitled This Quieter Shore, back in 2018 and thinking what a talented writer he is. Therefore, I looked forward to delving into Poetry after Auschwitz (SPM Publications, 2020) when it arrived and wow, what a collection it is!
Vernon’s principal concern in Poetry after Auschwitz is the way history affects us. He gives a voice to historical figures (such as Judas, Stalin’s daughter, and a liberator of Belsen) to articulate the transformative effect of past events upon the present: he portrays their influence as a constant presence in our lives. In El Tres de Mayo he writes: ‘What’s past is present: faded cryptogram of sound – no matter we try to prise/ a meaning out of or ignore it – fills/ our ears with its abiding , quiet refrain.’ How the past affects the present is complex: the effects differ but are always significant…
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